One day, my muse led me through Lake Ontario Park on a search for acorns. I never did find acorns, but I did have a good chat with some chipmunks who took me to see the Dryads .
Okay, fine, maybe it didn't happen quite like that, but there were spirits in the trees that day that I've never noticed before in all the times that I walked through the park over the years. I believe they were out that day, celebrating Autumn; it was a beautiful day.
Captivated by the Dryads, especially the playful one leaning backwards of that branch, I decided to capture them in fibre.
I figured that maybe I could make a quilt as my final class project. Umm, yes, a quilt. That word still makes me uncomfortable. Quilt. I'm not a quilter. I don't piece, I have no desire to sit and sew tiny cut up pieces of fabric together, and the whole prospect of actually "quilting" is scary. I never know where to start with deciding what kind of stitching a quilt needs. But I did have a large piece of autumn coloured fabric I died some time ago hanging around in my stash, and I did want to do something atypical of what people expect to see from my art work....
So, with not a lot of time on my hands before the project deadline, I started a whole-cloth painted quilt. With freezer paper resists, dyes, paints, inks, and some leaves I turned my studio, and my life, upside down and got to work. I had this all figured out in my head, and I learned that "I have a vision" isn't always good enough. I had a vision, and I realized that I don't really know how to paint. Why would I choose to paint a quilt if I don't know how to paint?! No time for second guessing myself, I just worked with the knowledge I do have.
Every thing seemed to want to work against me. I sunprinted on the day it decided to rain shortly after I got the paint applied. I pressed leaves to use as rubbing plates and they all blew away as I was sunprinting. The paint store was out of wood grain rockers. It rained every day for a week so I couldn't go outside and do my messy creating, and I became panicked over my timeline. Not being a painter, I couldn't figure out how actually go about painting the quilt. I had the idea in my head that all the trees needed to be painted brown-like real trees-but after I painted the first one, I hated it. I really, really hated it. I realized then that I wouldn't be able to make the quilt look like it did in my head. Every idea I came up with after that, didn't stick with my "whole-cloth" way of working, and I was determined to at least stick with the design challenge. It was anxiety provoking to work in 2 dimensions, but that was the challenge to myself (no matter how stupid I think that idea turned out to be!).
Finally, exhausted, I just had to sit down, finish crying over it, and decide how to make it work. I wish I had taken pictures at every stage of its creation so I could see how it went from liking it hating it and back again, but I it's too late for that now. It doesn't matter really, what's more important to me is the journey I took through the creation of this quilt. I rose to the challenge of working outside my realm of comfort. I puzzled through it and had to decide on every stitch and every drop of paint. Yes, it's "pretty different" (as a class mate said) of the way I usually create, but it's still definitely mine.
Though I didn't manage to get all the quilting done by the last night of class (no real big surprise there, I know), it's well under way, and has great promise of actually getting finished.
Captivated by the Dryads, especially the playful one leaning backwards of that branch, I decided to capture them in fibre.
Every thing seemed to want to work against me. I sunprinted on the day it decided to rain shortly after I got the paint applied. I pressed leaves to use as rubbing plates and they all blew away as I was sunprinting. The paint store was out of wood grain rockers. It rained every day for a week so I couldn't go outside and do my messy creating, and I became panicked over my timeline. Not being a painter, I couldn't figure out how actually go about painting the quilt. I had the idea in my head that all the trees needed to be painted brown-like real trees-but after I painted the first one, I hated it. I really, really hated it. I realized then that I wouldn't be able to make the quilt look like it did in my head. Every idea I came up with after that, didn't stick with my "whole-cloth" way of working, and I was determined to at least stick with the design challenge. It was anxiety provoking to work in 2 dimensions, but that was the challenge to myself (no matter how stupid I think that idea turned out to be!).
| Looks better with leaves! |
